As director of photography launching the German version of Wired magazine, I managed all photo productions including creative briefs to talent, all art buying for illustration and graphics, budgets, syndication, international bookings and translations, as well as working closely with the editor in chief to determine strategic content for the German market, with am amazing team of editors and creatives.
This project took me back to my roots in many ways, as I worked closely with luminaries at the MIT Media Lab in the early 90s, contributors to US Wired, before the title was acquired by Condé Nast.